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Community leaders and neighbors said something had to be done. That has been raised by some individuals,” said Community Board 1 District Manager Florence Koulouris.SASHA LANE TALKS 'UNSETTLING' 'AMERICAN HONEY' SEX SCENES WITH SHIA LABEOUF “The concern is the quality of life. The museum needs to find a way to make the project better for everyone involved,” she said. I was upset when I found out about it,” said Claire Shulman, a former Queens borough president. It’s unsafe for a public institution to do a project like this,” said Shulman, a Democrat. It’s one of the finest institutions in the city.” While valuing free speech, Shulman noted the American Museum is a tax-exempt, not-for-profit institution that is barred from engaging in partisan politics.“The installation created a serious and ongoing public safety hazard for the museum, its visitors, its staff, local residents and businesses,” the museum said in a statement.Those busted included La Beouf, who was put in cuffs at a late January scuffle at the oddball installation. It’s one of the finest institutions in the city.” While valuing free speech, Shulman noted the American Museum is a tax-exempt, not-for-profit institution that is barred from engaging in partisan politics.A Queens museum said Friday it is shuttering its controversial anti-President Trump exhibit dreamed up by actor Shia La Beouf, conceding that the installation has become a “flashpoint for violence,” The Post has learned.A webcam mounted on a wall outside Astoria’s Museum of the Moving Image — titled “HE WILL NOT DIVIDE US” — began filming on Inauguration Day, and was to be in place 24/7, for the duration of Trump’s presidency.Community leaders and neighbors said something had to be done. That has been raised by some individuals,” said Community Board 1 District Manager Florence Koulouris. Meanwhile, a prominent museum board trustee had slammed the project as misguided, and said it was authorized without her input.

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The French Chilean rapper, known internationally for her rapid-fire rhymes and socially conscious themes, says the piece came to her in an airport. Instead, it's a bit of a rant: an essay about the ways in which women's bodies are presented in popular culture."I turned and looked at the reaction of my colleagues and I realized that this is something important, so I decided to write about it."The essay, penned for the Walker Art Center's Artist Op-Ed series, takes on an entertainment system that values little more than youth and sex in its female performers."Every female singer must compete in an infinite game of provocation," she writes. The goal is to put everything on display, always setting a new challenge with a higher bar: who can show more and more, who can achieve the most extreme contortions in the most acrobatic way."If you needed evidence that Tijoux is not your average rapper, the fact that she's penning op-eds about female objectification for the website of a major Minneapolis museum might be Exhibit A. WATCH: Tijoux's lyrics regularly touch on politics in ways that recall the Latin American protest music of the '70s.We remember the 1990s as the age of identity politics, promulgating myriad projects looking at race and gender – and sometimes dealing with sexual orientation.This begs the question “why make this LGBTQ exhibition now?

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